Every art has its pinnacle.
When a degree of mastery is reached - things begin to click where you receive knowledge that is universally applied.
This knowledge then bleeds into everything else you do and allows you to recontextualize and reevaluate how you ponder life as a whole.
In facereading - one can go from studying isolated features, then grow into learning about archetypes through observation and eventually get to a level where they become capable of predicting temperament, thinking style and inherent psychology with great accuracy.
These are all impressive, of course, within the example of predicting behavior with efficacy.
If you get really good (you can), you can predict behavior in real time. A moving object is far easier to read than a static image, gives a lot more information.
But these are still formulaic elements within a "worldly design" type of context.
Generally, all formulaic esoteric fields are based on this one single sentiment:
- That we agree that nothing in how the world is designed and constructed, its denizens included, is by some sort of gamble-chance, or luck (or unluck), or accident. That all things carry the innate signs of intellectual deliberation.
At least in esoteric circles.
But even beyond these elements, there are depths that go beyond the formulaic, the unobservable-yet-knowable intuitive guidances that occur when you just develop a "feel" for the art.
Once that "feel" is achieved, formulaic elements become limitations. The master architect starts with learning basic line-work and math, but once he learns to envision his greatest masterpieces - they must always come from an intuitive force.
The calculations no longer matter. Or, should I say, the calculations are already done - they are innately infused within the mind of the master and used without needing to deliberate or calculate manually.
This switch from manual to auto-pilot is the flow state portal, through which the visionary sources their masterpieces. Notice how these come from higher vision, something inspired by the creative faculties.
It is never a purely technical-efficient achievement - it is something beyond that. When the logical and the pragmatic are transcended - that is where one's best work is often discovered.
In facereading and physiognomy, as one example - the pinnacle of its knowledge is the human eye.
Yes, predicting things such as behavior, knowing sexual trauma, guilt, shame, anger, happiness, hatred, jealousy, patterns, etc. is well impressive.
But the 'problem' with this sort of information is that it can be just as easily fed into a computer (once the research has been compiled) and you'd get pretty decent results, no doubt.
With physiognomy this is not yet possible because it is not an accurately researched art, there are (I am sure of this) only a few who could claim true mastery in this department - so it's not the greatest example, admittedly.
But for things like formulaic psychology, astrology and numerology and such - ChatGPT is the far superior practitioner than 99% of the available human resource even right now - and the far cheaper option.
Except for the 1%.
But the difference in that 1% is massive.
Like the difference between a *very good burger* and the *best burger you've ever had in your life* is massive.
A *very catchy song* compared to *this-song-changed-my-life-forever* type of deal.
If you understand what I'm trying to hint at.
There are intuitive elements that exist far beyond the recognition of logic-based thought. These are paralogical elements that are built up into a skill, akin to psychic ability, from mastery over the logical elements.
But once this is achieved - the calculative aspects can be fully discarded and traded off, so to speak.
The human eye, knowing what it is - what it /really/ is - is a rather life-changing and permanently perspective-altering wisdom that is gained from this particular art.
It transcends all the rest of the art - and more. The other 99% of the art, and any and all of its formulaic elements, is made redundant by this final truth.
But the truth is truly worth the trouble of needing to discard the rest for intuitive knowing. I imagine this is true for any discipline that deals with studying the archetypal architecture of life.
I will say that the cosmogenetic implications of the human eye, the incredible depths threaded and woven into its meticulous construction and the overwhelming weight of each finely-crafted detail hint at something both equally terrifying and awesome.
Not only does its general and color-structure, in design, mimic those of the planets and celestial bodies found in our local solar system, but there is significant depth even beyond that statement.
Significant depth.
When a newborn soul perhaps awakens, whatever grand cosmic vista it beholds in vision, whatever beauty is laid out before him in that moment - becomes permanently imprinted into his being.
The star-stuff that birthed him, perhaps, will serve to define his many lifetimes, all at once, a myriad of emanations from the nothingness of space, casting the virgin rays of purity into being itself - an explosion of miracles.
If the body speaks of itself (and of the mind), the eyes then speak of all that is beyond the body, and the mind - of something far greater and grander, a divine and cosmic imprint that is quantum-constructed in nature, restructuring itself into a plethora of predestined possibilities.
All restructurable, reprogrammable, and each a portal into dormant psychic connection and ability.
If there ever existed a cosmic clock, a gyroscope that carried with it herculean implications - it is that which birthed and inspired the geometry behind the human vision-lens.
So much so that it would even feed me the belief that if we were to zoom all the way out on the universe itself - far beyond the cosmic web - we'd find that its grander shape would be something akin to the eye of God itself.
Who is it then, do you think, that stares from behind the camera lens that are your eyes?
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